MD: Art Project Annotated Bibliography

Bibliography

Ibsen, Henrik.  Four Great Plays by Henrik Ibsen.  New York: Bantam, 1959. Print.

This book is about a woman that was forced to act as her husbands submissive “Doll”, with constant physical and emotional manipulation.  “A Doll’s House” is an important example that shows the gender binary that I could use to develop the claim of how women were seen in society, so I can later explain ways in which artists tried to counter these claims and express their feelings towards society.  I think that it is important to have an example of a different kind of source, of a play, to further explain what I was trying to say, and prove that this binary was prevalent in many platforms.

 

“Women in the 1920s.” Weapons in the War of 1812 | NCpedia, www.ncpedia.org/history/20th-Century/1920s-women.

 

This article further introduced me to the idea of a post 19th century woman.  “A woman of 1920 would be surprised to know that she would be remembered as a “new woman.” It introduces changes that were made including attitude shift towards woman, and attaining voting rights.  The artists that I chose to speak about contributed in attaining these changes by displaying the problems with society.

 

Miller, Jean. “What Were the Traditional Gender Roles of Men & Women in the 1900s?” Our Everyday Life, 27 Sept. 2017, oureverydaylife.com/were-roles-men-women-1900s-8623722.html.

This article was essential in that it gave my argument substance and background on gender roles that were prevalent in the 1900’s, that were previously unknown to me.    It is important to have factual background for this kind of argument, so you have a basis and support to explain yourself. Specifically, this article introduced me to the idea that “American women toiled at home to educate children, and had other home chores that limited their interactions with the outside world.”

“1920’s Gender Roles.” Sutori, www.sutori.com/story/1920-s-gender-roles–PRb3DxXk1FC1WWoTPbVgqHHy.

 

Like “What Were the Traditional Gender Roles of Men & Women in the 1900s?”, this article is important to my essay because it gives background on stereotypical gender roles in society.  This source was useful to me because not only did it provide me with background on stereotypes, it brought up the idea that in the 1900’s efforts were made in order to shift gender roles and changing gender stereotypes, which works well with my argument.

 

“Gender in Nineteenth-Century Art.” Art History Teaching Resources, 23 Dec. 2016, arthistoryteachingresources.org/lessons/gender-in-nineteenth-century-art/.

 

This article helped me in finding some specific examples of artwork that I could display in showing how women were viewed in society, and what the norms were.  It was important to have visual evidence to make it clear for readers of my essay.

 

“Gender Roles in the 19th Century.” The British Library, The British Library, 13 Feb. 2014, www.bl.uk/romantics-and-victorians/articles/gender-roles-in-the-19th-century.

 

Not only does this article talk about women in the 1900’s, but it explains the gender binary, that men and women were seen to have certain roles.  It addresses both men and women, which is important research to have in my argument to avoid bias, and address both sides. Men were seen as stronger and women were seen as more fragile.  This sets up what im going to show, that artists tried to break free of this message and ideology of women.

 

“Women Artists in Nineteenth-Century France.” The Met’s Heilbrunn Timeline of Art History, www.metmuseum.org/toah/hd/19wa/hd_19wa.htm.

This article from the MET gives insight on the restrictions that women faced in society due  due to their ideology of being weak. In this specific article, the MET explains that even if a women craved an education in unlike their male counterparts, women seeking professional careers were restricted in their opportunities, due to their preassigned role.”  This is an essential point to my argument to describe that women were at a disadvantage no matter what.

 

Final Project Walking Tour

Walk in the Paths of Devotion

A Virtual Museum Tour Through Ancient Artworks

Divya Roy

Table of Contents

What is devotion…………………………………………… 1

Ancient Mesopotamia………………………………………………………………. 2

Ancient Egypt………………………………………………………………………… 3

Ancient Greece……………………………………………………………………….. 4

Ancient Rome………………………………………………………………………… 5

Renaissance…………………………………………………………………………… 6

What is Devotion

Devotion can be interpreted to mean a lot of different things. It is a form of “love, loyalty, or enthusiasm for a person, activity, or cause” or in a religious perspective, devotion is to a deity, practiced through religious worship, prayers or religious observances. Art, especially ancient art, is a window through which one can see this psyche of people and the propensity of their devotion to a particular deity.

The art made by the artists is in fact a form of devotion, as the elements give so much depth about the subject and the artist.  Art is a form of devotion, such that when art changes so does devotion.

The MUSEUM TOUR

This museum tour will focus on multiple works of art from different eras and places in a journey to understand and get a grasp of the psychology behind devotion for the ancient peoples and its creators.

“True devotion is motivated by love alone and devoid of selfish entanglements.”

Indeed, there is no doubt that the works of art we will see today are made in devotion to the Gods of the time, a portion of love alone and devoid of selfish entanglements, as the art works speaks volumes through the intricate work about struggles and selflessness of the creators.

MESOPOTAMIA

Period: Neo-Sumerian

Date: ca. 2090 B.C.

Place: Mesopotamia

Classification: Stone-sculpture-inscribed

The work from a visual perspective tells of an important and revered subject. The subject in the statues is Gudea, a ruler of the state of Lagash. The statue demonstrates a very sophisticated level of craftsmanship for the time and even today. The inscription details the story of Gudea, and how the statue is dedicated to honor the Gods/goddesses by being placed in a temple. Each of the very fine detailing of stone, form the hat, to the fingers/toes and the inscription is telling of the value of this particular artwork. This is almost an offering to the Gods, as the art is sought to represent divinity and the craft something more than the natural.

EGYPT

For ancient Egyptians, the ideal pharaoh was a man in his young adulthood and in the prime of his life however, physical reality often tended to be less important as old men, women, or even babies who have the title of pharaoh could be viewed in this very ideal form. Therefore, the visual image especially portrayed in artworks becomes a relevant part of devotion. The representation of of the female Hatshepsut shows exactly that. The inscriptions for her depicted her with masculine and feminine grammar even though it states she is a woman.

This statue was one that stood in the grand doorway on the upper terrace of Hatshepsut’s temple.

Period: New Kingdom

Date: ca. 1479-1459 B.C.

Place: Upper Egypt

Greece

Ancient Greece was probably one of the more widely recognized civilizations for their devotion to the supernatural, as they worshipped multiple Gods, each with a distinct character and quality. The Hellenists, like many ancient civilizations used there Gods as a way for making sense of the chaos in the world, and form an origin for human life.

The most intriguing aspect of devotion in my perspective is that, the Greeks were able to form devotion through the mundane. In a sense incorporating religion and devotion into their everyday life, so much so that they are constantly reminded of it in every part of their day. Below is a simple vase depicting the story Perseus being sent to obtain the head of Medusa by King Polydektes.

 

Period: Classical

Date: 450-440 B.C.

Place: Attic Greece

Classification: Vases

ROME

The ancient Roman era gives a different portrayal in devotion. The deities become dramatically similar in physiology to human beings. The devotion though still to a deity, shifts to the ideal image of human beings. The musculature and bone structure become highly emphasized for the ancient Romans. In a sense, this marks the beginning of a human superiority complex, and devotion starts to become self-centered. Because artists were able to portray the human body so keenly, the devotion toward the “human” becomes even more stronger. The athlete’s body was highly idealized and emphasized during this time.

Name: Marble Statue of Bearded Hercules

Period: Early Imperial, Flavian

Date: 68-98 AD

Classification: Stone sculpture

RENAISSANCE

During the time of Renaissance, devotion becomes more focused and organized, as Christianity starts to take root among the people. People looked to a man named Jesus Christ as their savior. Because of Jesus’ narrative, paintings came of real value and emotion, like all other arts discussed. Jesus’ story became a center of focus, as it was so painful, touching and moving. Every aspect of Christ’s life was poured out into paintings. Especially, his climatic moments on Earth, were emphasized. The last supper became a symbolic element of the church to come together in communion and join the community in a union even after the leader’s death. The painting of the last supper became an emblem for community and worship.

Name: Last Supper

Date: 1325-30

Place: Italy

Classification: Painting

 

Annotated Bibliography 

Ziegler, Joanna E. “Michelangelo and the Medieval Pietà: The Sculpture of Devotion or the Art of Sculpture?” Jstor, 1995, www-jstor-org.ez-proxy.brooklyn.cuny.edu/stable/pdf/767122.pdf. 

This article focuses on how reacting to Flemish models Michelangelo remained consistent in his views of art. He radically redefined the enterprise of the sculpture and sculpture making and also art itself. He did so by making the sculptures inviolable (due to the change of material from wood to marble) and resistant to the physical transformations. I particularly took interest in this article because it was seen that the Flemish works have been associated with devotion and in ritualistic proceedings. This transformation in art as a consequence of Michelangelo explores how devotion becomes tested when art transforms.

“IWonder – Why Does the Art of Ancient Greece Still Shape Our World?” BBC News, BBC,2017www.bbc.com/timelines/z99tn39.

This research site goes into the specific of Greek art in chronological time while incorporating with its history. And we see, that Greek art often becomes a reminder for future generations about previous generations, it was a way of carrying down legacies. This is why art is important to the Greeks. Ancient art especially carries down the traditions of ancient Greek people, and allowing them to overwhelmingly present in everything gives a constant reminder to Greeks about who they are and who they were.

“Renaissance Art.” History.com, A&E Television Networks, 1 Jan. 2018, www.history.com/topics/renaissance/renaissance-art.

This website really helped to give a full understanding of Renaissance art and especially why it was important in Christianity. This helps draw the importance of Christ in almost all of Renaissance paintings and other artworks. The role serves a bigger purpose to unite the Christian community.

“Hatshepsut.” The Met’s Heilbrunn Timeline of Art History, 2010, www.metmuseum.org/art/collection/search/544446.

This website explores why gender was not an issue in Egyptian art work as their idealized figure always remained universal in all of the artworks. This becomes an important aspect in devotion as the role or title of pharaoh was to be devoted to rather than the individual identity.

NĂSTĂSOIU, DRAGOŞ GH. .. “Patterns of Devotion and Traces of Art.” Umeni / Art, vol. 64, no. 1, Jan. 2016, pp. 29–43. EBSCOhost,ezproxy.brooklyn.cuny.edu:2048/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=aft&AN=114579735&site=ehost-live

The article provides an analysis of art history and patterns of devotion by referring to the pilgrimage of Queen Elizabeth Piast to Marburg, Cologne, and Aachen, Germany in 1357. Following the journey, the reader becomes convinced that there is infact a connection between art and devotion and two are inseparable.

 

 

Final Project: Shift of Focus in Ancient Egyptian, Greek, & Roman Art

Sharona Abramova

ARTD 1010 – 9:30 AM

Professor Shaw

Final Essay

Shift of Focus in Art History

Throughout history, art has been a way to understand what was going on during that era. It also has had an influence for the future generations. In civilizations such as Ancient Egypt & Mesopotamia, the focus of their works of art were the gods. The focus in art shifted from Gods in Egyptian art to humans in Greek & Roman art. This is known as Humanism. The Greeks & Romans believed that humans should be celebrated equal to or even more so than the Gods in their artwork. The art of the Greeks and Romans is known as classical art.

The Brooklyn Museum

Meretseger

EGYPTIAN, CLASSICAL, ANCIENT NEAR EASTERN ART Old Kingdom to 18th Dynasty

ca. 1479–1400 B.C.E.

 

As seen here, there was an emphasis that was made on the Gods in Egyptian artwork. This goddess, whose name means “she who loves silence,” has a woman head and a cobra’s body. An animal with a human head is a common thing Egyptians did in art. Some background information is that as a local deity, Meretseger guarded the Valley of the Kings, where monarchs were placed in a tomb, and the village of craftsmen who worked there. Though a dangerous animal, her purpose was to protect the workers in the valley, and also sometimes those that did wrong things. Gods were the focus in the art pieces showing superiority over human beings. This is seen in the artwork because Meretseger is not portrayed as a human being.  This shows that the gods were special because they were portrayed in a different kind of appearance compared to humans because of their animal body and were the focus in Egyptian art. 

 

The Metropolitan Museum of Art (MET)

Marble statue of a kouros (youth)

Ancient Greece, Attic

ca. 590–580 B.C

This sculpture shows how humans became the center in art. This is one of the earliest marble statues of a human figure carved in Attica. Ideas were still taken from history. For example, the rigid stance, with the left leg forward and arms at the side was from Egyptian art. The statue marked the grave of a young Athenian aristocrat. These sculptural types displayed nudity, highlighting their unique hairstyles and abstracted musculature. He is standing while being nude to depict equality & to represent that the physical structure of humans were the same regardless of their social hierarchy.

The Metropolitan Museum of Art (MET)

Marble statue of Hermes

Roman

1st or 2nd century A.D.

The Greeks had a major influence on Roman art. This sculpture depicts a built, muscular man standing in a more confident pose in nudity. Humans, like in Greek art, were the core in Roman art. It is a Roman replica of a statue attributed to Polykleitos. Romans tend to add a touch of humor to their artwork and that’s what made them unique.
The art of the Egyptians served a different purpose than the art of the later cultures. Egyptian art was meant to benefit a divine. However, it still did influence Greek & Roman artists. The art of the Egyptians was functional and created for a practical purpose. On the other hand, the later art was intended to be for aesthetic pleasure. The statues made by the Greeks held the spirit of the god or the deceased. The Egyptians thought of art as “functional above everyone else” (Mark, 2017). The idea of “art for art’s sake” was not familiar to them. If they saw how their art is displayed at museums nowadays, it would be incomprehensible to them. Egyptian art is still admired for its beauty and one of the reasons is that they placed a value in symmetry. Egyptian art is often criticized for being not refined because there was a lack of emotion/expression on the face, always 2D, & no light/shadow in the compositions. However, Egyptians did this on purpose. They thought that a spirit of the deity would need to represented the way they are in the pieces of art in order for the soul to continue its journey in the after life and had to survive in some form on earth.
Classical art by the Greeks & Romans owes its influence to the sheer beauty of humanity. Greece was conquered by Rome in 146 BC & that’s why Greek art had a major influence on Roman art. Romans even made copies of Greek art. They believed that a copy of an artwork doesn’t have less value than the original. The copies did often have variations to them. They often added a touch humor to some somber/serious elements portrayed in Greek artwork. They had an ability to adapt & uniquely combine their inspirations from previous centuries & that’s makes Roman art Roman.
Humanism is used in Greek & Roman art and it celebrates mankind by putting an emphasis on the human body. Humanism in different art sculptures evolved as it put more detailing on the body structures and face. They emphasized the body of man by making them have certain poses and different face expressions. Egyptian art focused more on deities & gods to honor them and put them at the center. On the other hand, Greek & Roman art focused on humans and how they’re the center of events.

 

Works Cited

Ancient Egyptian art

Introduction to ancient Greek art

Introduction to ancient Roman art

https://www.ancient.eu/Egyptian_Art/

Gift Voucher Game 100K

https://www.brooklynmuseum.org/opencollection/objects/4178

https://www.metmuseum.org/art/collection/search/253370

https://www.metmuseum.org/art/collection/search/254925

 

Final Project

Christy Chan

Art 1010 Final Paper

Prof. Shaw

12/11/18

We all know that art is limitless, and can mean so many things to the artists. Art is not only just a simple 2-dimensional thing; it can take forms in other ways, such as jewelry. Nowadays jewelry is more of a fashion statement piece for us to show off our ensemble, but in ancient times jewelry had a more important role. In the ancient times such as the Hellenistic period, and ancient Egyptian period, jewelry was made to coordinate with their gods and goddess, and were used as either protective amulets or to glorify statuses.      

Previously jewelry was made from bones, animals, and other varies hard like materials, but due to the abundance of gems, metals, and gold in Ancient Egypt, a new type of jewelry was inspired by and created to worship gods/goddesses, royalty, and high-level position figures. Gold jewelry is a symbol of power, religion, and status, and Egyptians were fond of using colored glass, and it was expensive due to its rarity. Egyptians also love designs with scrolls, tigers, scarab beetles, winged birds, jackals, antelopes, and tigers.

“Protective amulets could be worn as independent pieces, but they were often fused into Egyptian jewelry. These amulets were talismans or charms that were believed to either infuse the amulet with power or to protect the wearer. The amulets were carved into various shapes and forms, including symbols, humans, animals, and gods. Additionally, the amulets were seen as equally significant protectors of the living and the dead. Amulets were made specifically for the afterlife, as memorial jewelry was customary for ancient Egypt” (Ancient Egyptian).

Take a look at the wreath, this piece belongs to the ancient Egyptians, the wreath is made with gold and was used to crown athletic victories throughout the ancient Greek time. This shows the symbol of victorious men’s through their accomplishment, and not only was this used during the Egyptian times; it was also used during the Hellenistic period.

The Ring of Cat and Kittens is used to symbolize as the “faraway goddess”, the cat is supposed to be a deity that ran away from the Nubian Desert and had to go back to the Nile Valley. This symbolism is to bring prosperity back to Egypt. Rings like this are most likely created to celebrate various festivals in honor of the deities depicted on the rings.

“In the Hellenistic period, the Greek world was flooded with gold. Greece itself had few sources of gold, and those had been depleted by the late Classical period. Alexander the Great’s conquest of the Persian Empire, which included Egypt, made vast resources of gold available for the first time. The various royal courts of Alexander’s successors, including the Ptolemais in Egypt, comprised a wealthy clientele with a taste for luxury, which, in combination with this new abundance of gold, led to an immense outpouring of gold jewelry” (Roadsrunner).

“In Hellenistic times, jewelry was often passed down through generation. Occasionally, it was dedicated at sanctuaries as offerings to the gods. There are records of headdresses, necklaces, bracelets, rings, brooches, and pins in temple and treasury inventories, as, for example, at Delos. Hordes of Hellenistic jewelry that were buried for safekeeping in antiquity have also come to light. Some of the best-preserved samples come from tombs where jewelry was usually placed on the body of the deceased. Some of these pieces were made specifically for interment; however, most were worn during life” (Ancient Greek Jewelry).

The Gold armband with Herakles knot is a gold bracelet inlaid with emeralds, enamel, and garnets. It was believed that any Hellenistic jewelry with a Herakles knot was known to have the power to thwart evil and cure wounds.   

This is a goat head earring during Hellenistic times. During the Ancient Greek time, they believed the goat is closely related to one of their God Dionysus later known as Bacchus in the Roman period (the god of wine and fertility). It was believed that the goat was related to men, and it was associated with burning sexuality and lasciviousness and lust. Since jewelry was made for mainly women and was used to appeal to the opposite sex, you can say that this goat earring is made to attract males to females, and to show that they can be fertile.

As time goes on, the significance and history of jewelry get lost. The Greeks and Egyptians all had a religious belief and status to uphold making all jewelry important in their culture and looked up upon. Most jewelry nowadays does not have any symbolism behind them, no longer do we have a beautiful story or importance in our jewelry. How often can you be able to say that this piece of jewelry is made to protect you, thwart off evil, cure your sickness, or even to say it was based off a certain god or goddess? Is it important enough to be passed down generations to generations or make you stand out and show off your status? This obviously doesn’t apply to diamonds because diamonds are just an expensive gemstone now that will last forever, with its own distinguished statement, but for regular jewelry or common gold jewelry, it’s nothing more than a flashy statement piece.

Works Cited/Resources

“Ancient Egyptian Jewelry.” Gem Rock Auctions, 13 Feb. 2017, www.gemrockauctions.com/learn/did-you-know/ancient-egyptian-jewellery.

“Ancient Greek Golden Jewellery.” Poseidon the Greek God of Sea, www.greek-islands.us/ancient-greece/ancient-greek-jewels/.

“Ancient Greek Jewelry.” Ancient Greece, www.ancientgreece.com/s/Jewelry/

https://www.brooklynmuseum.org/opencollection/objects/25429

“Hellenistic Jewelry.” The Roadrunners’ Guide to Ancient World, 11 Dec. 2013, roadrunnersguidetotheancientworld.com/hellenistic-jewelry/.

https://www.metmuseum.org/art/collection/search/256970

https://www.metmuseum.org/art/collection/search/744564

https://www.metmuseum.org/art/collection/search/242903

Final Project Outline/Background

Jan Steen
Merry Company on a Terrace
Ca. 1670
Metropolitan Museum of Art

 


Attributed to the Master of the Martyrdom of St. Sebastian
Hercules and Achelous
Approx. mid-17th century
Metropolitan Museum of Art

 


Jean Cornu
Venus Giving Arms to Aeneas
1704
Metropolitan Museum of Art

 


Domenichino
The Lamentation
1603
Metropolitan Museum of Art

 


Adriaen Brouwer
The Smokers
Ca. 1636
Metropolitan Museum of Art

Something that is noteworthy within all the artworks above is the exaggerations of the postures and facials expressions of the subjects used to covey drama and strong emotions within the viewer. The way the subjects are “moving” in the works makes for well-intended illustration of theatrical drama. In addition, the use of the contrast of light and dark color brings attention to the certain parts or characters. These key components are most prominent in the chosen artworks as well as the majority of Baroque art.

Paper Outline: Final Project

The Men-Centered Society & its Relationship to the Human Body

I. (1-2 Paragraphs) Thesis Statement: This paper will explore the development of the realistic and idealized human body as it coexists with the philosophy of Humanism; this artwork begins to exist because of the shift from a God-centered society, into a men-centered society. In other words, the Greek philosophy of humanism reformed society into a man’s world rather than a religious world. This paper will also attempt to explain the “regression” of the mimetic idealized human body during the resurgence of cult religions.

II. (Historical Influences: 2200-2152 B.C-5th Century):

 A.The Old Kingdom Male Body:

Title: Statue of Tjeteti as a young man
Artist: Unknown
Museum: The MET


In the Old Kingdom, the artwork was much more abstracted, with larger eyes and hands. The body is not as emphasized; in other words, lacking muscles. They used the eyes and hands as religious symbols (supplication).
   B. Archaic (6th B.C) Male Body:

Title: Bronze youth

Artist: Unknown

Museum: The MET

C.  The Classical Era (late 5th century B.C)

Title: Bronze youth

Artist: Unknown

Museum: The MET

Already from one century to the next the body becomes much more muscularized, and idealized. This shows the shift of a God-centered society into a humanism based civilization.

  • The Met’s Heilbrunn Timeline of Art History, www.metmuseum.org/toah/ht/04/eusb.html.

“Following a period of sporadic incursions and large movements of people, demographic and economic changes in the eighth century B.C. lead to overseas colonization, spreading Greek language and culture across the Mediterranean and Black seas.”
This statement alone shows the development and inculcation of the Greek philosophy of humanism. This sculpture alone shows how this sporadic time inculcated this philosophy and in turn changed the image of the body by evolving into realistic pieces of artwork. The classical piece will show the further development of anatomical realism of the human body.

 

 

This is the most prominent piece of artwork that began the process into the realistic and idealized human body. The desire to improve began here or is widely known to have started with this art piece.

   III. Hellenistic Period:

A. Early Hellenistic

Title: Terracotta relief probably from a funnel vase

Artist: Unknown

Period: Early Hellenistic; late 3rd–early 2nd century B.C

Museum: The MET

This statue also shows the importance of the body using two nude males, one most likely a Gaul and the other Greek, fighting. This fight combats the idea of the essence of Greek humanism; the struggle and dominance of man, especially the civilized greek.

B. Hellenistic

Title: Terracotta statuette of a veiled woman

Artist: Unknown

Period: Hellenistic; 2nd century B.C.

Museum: The MET

IV. ca. 1000-1400

A. 1175-1200

Title: Virgin and Child in Majesty

Artist: Unknown

Period: ca. 1175–1200

Museum: The MET

56.54.1 379

The shift of humanism towards a God shift society results in the abstracted form of the human body. Rather than alluding to the earthly, the heavenly is inferred through the abstract.

B.     ca.1230

Title: Christ Enthroned

Artist: Unknown

Period: ca. 1230

Museum: The MET

This painting is to reiterate the shift religious status, resulting in abstracted human forms to allude to the heavenly. In other words when God is the center of civilization the body image is no longer realistic or idealized, but almost despised and forgotten.  

  • The Met’s Heilbrunn Timeline of Art History,

https://www.metmuseum.org/toah/ht/07/euwf.html

“Between 1000 and 1400, the kingdoms of the Franks, divided among many leaders, become the kingdom of France, which emerges under the Capetian dynasty as one of the most prosperous, powerful, and prestigious in Christendom.

The change of religious state and political state influence the change of realistic and idealistic body images to an abstracted style, retracting to iconographic works similar to Egyptian worship statues. This alone proves that the philosophy returns to a God-centered society, where man is not as important in this time compared to the of the Greek democracy.

 

“The expansion of royal authority is halted in the fourteenth century by an economic crisis, the loss of a third of the population to the plague, and, from 1337, constant military conflict with the English”

Also interestingly enough, the return of the realistic and idealized body is after an economic crisis and the Bubonic plague. Men and women are suffering and because of this incomprehensible suffering, they become skeptical of a God. In other words when the need to return to a humanistic mentality arises the art changes with it. In short, when this need arises the Renaissance epoch began.  

V. The Renaissance

A. Protestant Reformation

  • Raphael M. Huber. (1941). Recent Important Literature regarding the Catholic Church during the Late Renaissance Period, 1500-1648. Church History, 10(1), 3-37. Retrieved from http://www.jstor.org/stable/3160724

The reason this article is so important because a common argument to my thesis would be:
During the Renaissance, Catholicism was very prominent, and yet the body image is highly idealized and realistic in the artwork. Well here is my point, the realistic and idealized body makes a comeback for two reasons; one is to give the Christian hope of heaven on earth; two, is because the church became extremely wealthy. The second point is important, the Protestant Reformation was because of the accusation that the Church’s distribution of wealth to create prominent and monumental Renaissance artwork was one of the many corruptions. Also, the use of the Catholic Hierarchy was another form of corruption. This hierarchy can be argued to be extremely narcissistic and places men in the middle of this societal circle once again; and not just any man but the Papal and clergy members.  God was no longer in the center of this circle, but money was (money only serves man in order to survive).

B. Secular Government; Man-centered society

  • Rule by Natural Reason: Late Medieval and early Renaissance conceptions of political corruption. (2012). In Barcham M., Hindess B., & Larmour P. (Eds.), Corruption: Expanding the Focus(pp. 53-72). ANU Press. Retrieved from http://www.jstor.org/stable/j.ctt24hbwc.8

“Conflict over lay investiture and the accompanying charges of simony (the act of buying or selling ecclesiastical benefices or emoluments) led Pope Gregory VII to declare sacerdotal and secular supremacy over all princely sovereignties.”

 

Simony, or like we spoke in class indulgences, were seen as a sign of corruption in the church. I also agree with this perspective because if the Pope and all clergyman have supreme sovereignty, then they no longer follow the belief of the church; Clergyman are a representation of Jesus Christ, and Jesus Christ was the last and servant of the lay people according to Catholic philosophy. Therefore this portrays the shift of a God-Centered society into a Man-centered society, where the Pope and Clergyman (who are men) make themselves Gods.   

Works Cited

The Met’s Heilbrunn Timeline of Art History, www.metmuseum.org/toah/ht/04/eusb.html.

Dr. Steven Zucker and Dr. Beth Harris, “Anavysos Kouros,” in Smarthistory, December 15, 2015, accessed December 10, 2018, https://smarthistory.org/anavysos-kouros/.

The Met’s Heilbrunn Timeline of Art History

https://www.metmuseum.org/toah/ht/07/euwf.html

Raphael M. Huber. (1941). Recent Important Literature regarding the Catholic Church during the Late Renaissance Period, 1500-1648. Church History, 10(1), 3-37. Retrieved from http://www.jstor.org/stable/3160724

Rule by Natural Reason: Late Medieval and early Renaissance conceptions of political corruption. (2012). In Barcham M., Hindess B., & Larmour P. (Eds.), Corruption: Expanding the Focus(pp. 53-72). ANU Press. Retrieved from http://www.jstor.org/stable/j.ctt24hbwc.8

Extra Credit

The painting that captured my attention at first sight was the canvas painting of Venus and the Lute player. Tiziano Vecellio, better known as, Titian created this painting during 1560. The setting of Titian’s painting focuses on three figures, the Greek goddess Venus, her love child Cupid, and a Lute player, in a setting showing a room that has lavish curtains and overlooks a landscape. I was attracted to Titian’s Venus because of my admiration of the Goddess Venus in my previous studies of Greek mythology. Venus also known as Aphrodite was the goddess of love, beauty and sex. In this painting, Titian portrayed Venus as a sensual and angelic woman, who has the ability to capture the viewers’ attention with her intense expressions.  The painting depicts a nude Venus seated on a coach in a sensual position. She is wearing a white pearl necklace and expensive earrings. In the painting one can only see the profile of her face, which has an intense and subdued expression. Behind Venus is her son Cupid, who has a smaller figure and is holding a crown made of flowers over Venus’ head. The lute player is an important figure in this portrait because he is seen looking at Venus and it appears that he is playing music with his instrument. Behind the figures there is a window that overlooks a landscape, which consists of green trees, grass, and mountains. According to the gallery label, the painting has been thought to “address the Neo-Platonic debate of seeing versus hearing as the primary means for perceiving beauty.” My interpretation of the general theme or purpose of this canvas painting is its portrayal of the love for beauty and music. I hindered upon this theme based on the idea that artists from this time period idealized the female body as that of beauty. According to the Metropolitan Museum, the figures of a nude Venus “highlight the seductive warmth of the female body rather than its ideal geometry.” Like many artists from the Italian Renaissance, Titian represented Venus nude in order to symbolize the female body, thereby, representing beauty. On the other hand, the lute player is an abstract figure that is assumed to signify the love or admiration of music.

Annotated Bibliography

http://history-world.org/arthist.htm

This article talks about the differences between Ancient Greek and Ancient Roman artwork. This article presents the similarities and differences amongst the two.

https://www.jstor.org/stable/985469?seq=1#page_scan_tab_contents

This article talks about the differences between Ancient Greek and Ancient Egyptian artwork. This article elaborates on different techniques used during each time period.

https://artscolumbia.org/performing-arts/music/history-of-music-education-greek-roman-and-egyptian-30160/

This article compares Ancient Roman and Ancient Egyptian artwork. It weighs in on the different music, sculptures and paintings that were idolized during that time period.

https://www.history.com/topics/ancient-history/ancient-greek-art

This article weighs in on the significant pieces of art produced during the Ancient Greek time period. This article shows images of the most popular sculptures made during the time period and elaborates on the techniques used to produce this artwork.

https://www.khanacademy.org/humanities/ap-art-history/ancient-mediterranean-ap/ancient-egypt-ap/a/egyptian-art

This article elaborates on the most popular art work produced during the Ancient Egyptian period of time.  This article explains the importance of the ancient pyramids and the meaning behind the coffins.

Unit 2 Summary: Greeks & Romans

In ancient Greece, humanism was a central focus in their art. Their focal point was creating statues that represent either human life or the human body. The Greeks did have a lot of their own gods portrayed in their statues, but they contrasted with Egyptians because when Egyptians would create their gods we saw a lot of unearthly features on them. With Greeks, they gave their gods human beauty and human bodies. It’s also noteworthy to point out that the stories of their gods contained many conflicts and woes, most of these problems resembled human problems, further deepening the similarities between them and humans physically, we would see reoccuring features of muscular tone bodies in men and a softness to the women. This type of time period in art was known as the Classical past. It is very distinguishable because of how many details were repeated. Essentially, this is the time period where the gap between the divine and humans start to close. 

We come into a new time in ancient Greek art when Hellenism begins. Unlike classical art, Hellenism prioritized different things. There was a bigger scope and they no longer focused on the youthful male or the beautiful soft woman. Instead, we see a focus on everyday life, ethnicity, and genders. For example, we have the “Seated Boxer” that was made in 100-50 BCE and is made out of bronze and this is a perfect example of hellenistic art. He is an older man and wasn’t as beautiful as a Classical past statue would be. We see a sense of humility. We see wounds carved into his face, and we see this statue stray away from the heroism we saw in the classical age. What made him apart of the Hellenism era was his imperfectness. 

We see another different era start when the Romans invade Greece. This is known as Verism. The republican Romans introduced this, and we started to see a more accurate representation of humans. Their features were very distinguishable, and this meant that along with straying away from legendary and heroic art we were also straying away from beauty. These types of statues were no longer flattering and were just ten times more realistic. There is also a shift in poses that we can see a huge difference in if you look at classical art and verism. We saw a lot on contrapposto in classical art and it looked very fragile and soft but going into Republican Rome we see the body lanaguage of speechmaking become popular. The figure would look as if he would be walking forwards with his arm in the air. These three eras have such sharp dichotomies, and it’s very impressive. 

 

Out of all three of these eras I feel as though classical past was the most beautiful. Of course, it was most the animated of the three but I think the details and the beauty is just unmatched. These eras are also extremely impressive. Although this is ancient times, it is incredible how advanced the greeks and Romans were. As time passed, so did their values and those changing values were reflected in their art. I look at as their own form of record keeping. Looking at their art is interesting but learning about it all is extremely impressive.