Hemingway, Colette, and Seán Hemingway. “The Art of Classical Greece (ca. 480–323 B.C.).” In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–. http://www.metmuseum.org/toah/hd/tacg/hd_tacg.htm (January 2008)
“The middle of the fifth century B.C. is often referred to as the Golden Age of Greece, particularly of Athens. Significant achievements were made in Attic vase painting. Most notably, the red-figure technique superseded the black-figure technique, and with that, great strides were made in portraying the human body, clothed or naked, at rest or in motion.” This quote gives a brief explanation as to what Humanism is and how the Greeks began portray in their works of art. As was mentioned, Humanism focuses on the physical human body whether their is clothing involved or not. This essay relates to my project because it gives a look into the timeline of Greek art and when Humanism began to be showcased, and its evolution over the different time periods.
Hemingway, Colette, and Seán Hemingway. “Art of the Hellenistic Age and the Hellenistic Tradition.” In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–. http://www.metmuseum.org/toah/hd/haht/hd_haht.htm (April 2007)
I chose to use this essay because it goes onto explain the Hellenistic Age and how it came about. It gives details on Alexander the Great and the adaptations that were taken on during this era. This essay also explains that the Hellenistic kings were endorsers of the arts, and more than often paid for lavish paintings and sculptures to showcase their wealth. Then it is explained that during the Hellenistic age, the arts took a different turn and developed their own “spin” on Humanism in which it became richly diverse in subject matter, and representations of Greek gods took on a different form. For example, the main reason I chose this essay is because it goes on to discuss the Eros who is the Greek personification of Love, takes on the form of a young child. Lastly, the essay goes on to explain that during this era we see increased use of children as the subject matter who are considered conventional inhabitants.